Dedicated to the Business of Contemporary Live Music

Spiritual feel for Rag‘n’Bone Man

Production News
8 May 2018

THE SPIRITUAL symbolism of an octagon loomed large in the set design of the Grande Reserve tour by Rag‘n’Bone Man (real name Rory Graham), who used a series of illustrated backdrops painted by Stewart Chromik, a member of the singer’s band, Rum Committee.

Lighting designer Will Potts worked around a series of timed kabuki drops, for Graham’s performance at London’s Alexandra Palace (cap. 10,400) which revealed each of the illustrations.

“There’s lots of religious references in Rory’s songs,” says Potts. “I had to find a way of reinforcing this, but subliminally. During the second song we reveal the drapes, one at a time. To get this right I needed a lighting fixture whose framing system was spot-on.”

He chose a Scenius Unico by manufacturer Claypaky (and supplied by Neg Earth) for its projection versatility. “I used the indexing gobos, framing system, colour wheels and animation wheel to add texture to the backdrops,” says Potts.

Chromik’s design featured caricatures whose eyes focused on the singer as he performed.

“It was imperative that the lighting fixture I used for these backdrops kept an even power, brightness and crispness across each of the drapes so that important details, such as the eyes, were not lost,” says Potts. “The Unico’s frosts gave a lovely, soft glow and the framing system is incredibly sharp and flexible, which helped when focusing the lights.”

Other Stories

Brit Row in high wire performance

10 March 2020
AVOIDING AUDIO reflections and keeping the system away from the acrobats’ flying infrastructure were the key challenges facing Britannia Row for Cirque du Soleil’s Luzia…
Read more

Elegance with Adlib

10 March 2020
CANADIAN SINGER-songwriter Carly Rae Jepsen briefed her production team to create an elegant and theatrical design which was adaptable for touring different-sized venues and festivals….
Read more